Donnarumma Marco

A unique presence across contemporary performance and media art, Marco Donnarumma distinguishes himself by his use of emerging technology to deliver artworks that are at once intimate and powerful, oneiric and uncompromising, sensual and confrontational. Working with biotechnology, biophysical sensing, as well as artificial intelligence and neurorobotics, Donnarumma expresses the chimerical nature of the body with a new and unsettling intensity. He is renown for his focus on sound, whose physicality and depth he exploits to create experiences of instability, awe, shock and entrainment. In over a decade of practice Donnarumma has developed a deeply transdisciplinary expertise, drawing equally from live art, music, biological science, computation and cultural studies. He holds a Ph.D. in performing arts, computing and body theory from Goldsmiths, University of London, and is currently a Research Fellow at the Berlin University of the Arts in partnership with the Neurorobotics Research Lab Berlin. His writings on body, music, technology and performance studies are published by MIT Press, Oxford University Press and Springer. Donnarumma’s arresting visions of the body won several awards and toured more than 60 countries worldwide with shows at Venice Biennale (Venice), Steirischer Herbst (Graz), ZKM Center for Art and Media (Karlsruhe), Sónar+D Advanced Music Festival (Barcelona), ISEA International Symposium on Electronic Art (Albuquerque), FILE Electronic Language Festival (Sao Paulo), RPM: Ten Years of Sound Art in China (Shanghai), Laboratorio Arte Alameda (Mexico City), Némo Biennal of Digital Arts (Paris), transmediale Festival for Art and Digital Culture and CTM Festival for Adventurous Music and Art (Berlin). Articles and interviews featuring Donnarumma’s work appear on BBC, The WIRE, Forbes, Reuters, ARTE.TV, Wired, IEEE, RTVE, El Pais, CreativeApplications, ResonanceFM and The Creators Project. He was granted fundings from the European Commission, British Council, Creative Scotland, New Media Scotland, and the Danish Arts Council, and received commissions from Festival transmediale, 4DSOUND, European Conference of Promoters of New Music and STEIM.