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The project derives from the analysis of the twentieth-century musical scores of authors such as Iannis Xenakis, Karlheinz Stockhausen and Luigi Nono, who dealt with the limits of the standard musical notation, creating a different and functional way of representing sound and music, thanks to the addition of graphic parts. In this way, the score is not just a dialogue between composer and musician, but also a graphic work, a metalanguage that manages to combine sound and image. Photo by Lea Abaz.

Pugliese Roberto