Much Ado About Nothing

“Much Ado About Nothing” is based on the nihilistic perception of the Dadaists where nothing, zero, is left no more, since the abuse of logic dissolves the human sense and the illusion of art. As long as zeroing, in life and in art, becomes an essential trait of our time, as long as we accept it as an inevitable feature of a functioning society that communicates and takes care with an accounting way and a type of on/off sentimentalism attached to its automation and oblivion, any diametrically opposed philosophy of life becomes much more important.

Pentefounti Gelly