Back to archive

Madison 2004

The film ‘Madison 2004’ is highly abstract and fast paced. It pulls the viewer with it as it flashes half images and colours on the screen, constantly changing and evolving. By removing this visual experience from its associated peripheral sights and sounds we are given the opportunity to react to it in a new way, develop new insights and see new meanings in an experience we would normally disregard.

Lakey Antony