A place I’ve never been

By sourcing multiple digital images of the same place from different archives this experiment in film makes use of frame by frame montage to discover hidden forms, patterns and references thereby giving new meaning to the prevailing redundancy of these pictures. Because of the common practice of everyone who photographs this iconic place, it was possible to manipulate the geography of the space in all sorts of ways. The visual attributes such as resolution, sharpness, colour saturation and tonal values differ in each image, but when run together at the rate of 24 frames per second, they form one consistent constant impression.

Flury Adrian