Carrilho Raquel


Raquel Carrilho was born in 1985. She studied Cinema and chose first image editing as her field of work, having been editor and editorial assistant in several short movies (receita do sossego, rupofobia, gua nossa, etc). Then she turned to video art, a passion she discovered during her Master's in Contemporary Arts. Now she is working on many video projects and also video installations, using interaction. She is moving to Berlin where she wants to establish her life as an artist.


201000:01:25Video Art
The woman's condition in the world changes like her wishes and wants to explore new directions for herself and her possible selves. As an individual in a community, she tries to find the convergent link (individual + community = only one direction). However, her presence as a woman changes the meaning of her passage. The intensity with which she expresses her experience puts her in various perspectives as a woman. Therefore, the sum of these experiences strengthen the position of being in one. (woman + possible woman/man = always woman). Many into one, several female and male potentially only in one. It is a choice to be a part and not a problem of a personality, although the problem of the personality can be solved by a choice of the part. Woman resolves to be herself. She is also divided by depersonalization, there is the phenomenon of discontinuity of the female I, as the idea of Rimbaud: "I is another one" ("je est un autre"), breaking the hegemony of the I. Thus consciously and unconsciously, she can see from one side to the other. The division and the absence of the outside also require an opening to the unconscious that she always has present. Yet in the post-romantic idea of the "moi heroique," the subject decentralizes from the individual. The subject has not its I in the center. But a crack, or a wound, opening the size of a poetic experience.

The Athens Digital Arts Festival archive has been developed by Antonis Lianos